Presented by Travel Oregon
On her latest LP Baby, I’m Hollywood, Judith Hill unveils an ambitious, kaleidoscopic document detailing her journey of self-discovery. It’s a vibrant, defiant, personal statement, a thorough excursion into the annals of Black music: past, present and future. Rich in throwback soul, stunning piano balladry, and swaggering psychedelic funk, the self-produced album finds Hill liberated, focused and reborn. Bolstered by a spirited live band and her new attitude, she ruminates on pleasure, pain, celebration, and consequences, all of which inform this collection of finely-crafted stories-in-song.
“I wanted to personify Hollywood as a woman who’s a survivor. In my career, I’ve been through so many peaks and valleys, and the show must go on. The message is being persistent, bringing all of your pain and your story to the stage,” notes Hill, who was among the vocalists featured on the 2013 documentary, 20 Feet from Stardom.
Hailing from Los Angeles, CA, Judith Hill comes from a Japanese/African-American bi-racial musical family. Mother Michiko and father Robert (aka Pee Wee) met in a 1970’s funk band, and continue to perform in Judith’s backing ensemble, their contributions heard all over Baby, I’m Hollywood.
Hill was wildly-popular on the fourth season of hit TV show The Voice, she’s worked with filmmaker Spike Lee, and sang on the official soundtrack to major motion pictures Dr. Seuss’ The Lorax and Happy Feet Two. After discovering the singer on Revolt TV, where she spoke aloud her wish to work with him, Prince summoned Hill to his famed Paisley Park compound. Together they recorded her debut full-length solo album Back in Time, a promising project that the dearly-departed genius both produced and played on. Hill received much critical acclaim in the aftermath of the record’s 2015 release; a couple of years later she followed up with a self-produced sophomore LP, Golden Child. Today Hill’s sound is a bewitching combination of potent blends of smokey soulful blues, sizzlin’ R&B slow jams, stirring gospel-swells and crunchy guitar grooves, all masterfully sewn together by Hill’s scintillating vocals and enigmatic personality.